Luigi: The Making and the Meaning by John H Richardson – Understanding a Criminal?
On the fifth of December 2024, a major newspaper published the front-page story “Insurance CEO Shot Dead In Manhattan”. The report then noted that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a killer who then walked coolly away”. The daytime killing was indeed both chilling and disturbing. But numerous US citizens had a different response: for those who had been denied health insurance or faced exorbitant healthcare costs, the news felt cathartic. Online platforms erupted. One comment read: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the AI algorithm the insurance company created to maximize profits on your health.”
Less than a week after, Luigi Mangione, a good-looking, 26-year-old University of Pennsylvania alumnus with a master’s in computer science, was arrested at a McDonald’s in Altoona, Pennsylvania. He faces court proceedings on criminal counts of murder, with the district attorney seeking the capital punishment. So what is his background? And what might have motivated the alleged crime? These are the questions John H Richardson attempts to answer in an inquiry that explores broader themes, too.
Understanding the Person
A journalist for Esquire magazine, Richardson devoted considerable time to studying the groups that exist in the hidden parts of the internet, writing stories about people “plagued by genuine concerns about an apocalyptic future”. To reveal “the making” of his subject, Richardson first examines Mangione’s extensive reading. We learn that “[when] he was arrested, Luigi had a list of 295 books on Goodreads”. Their content ranged from climate change to masculinity, along with a “emphasis on his own personal growth, both body and mind”. Furthermore, Richardson sifts through his correspondence with online personalities and authors as well as his many posts on digital networks. These primary sources, meant to paint a portrait of Mangione, instead present him as an unclear character. Richardson attempts to explain this by proposing that “Luigi’s elusiveness, in fact, is what gives him a little of that old trickster magic”. Here, as elsewhere, Richardson tries to frame his subject in archetypal terms.
Mangione is profoundly worried about the world around him, one where ‘everything is accelerating whether we like it or not’
Interpreting the Incident
As for “the meaning” of the title, Richardson uses as a clue three words – “delay”, “refuse” and “remove”, engraved on the bullets left behind at the crime scene. These are the phrases occasionally employed by health insurance companies to reject claims. He looks at the evidence Mangione had a chronic back condition, which might have provided motive for an attack, but finds no proof; instead, what significance there is seems to rest in Mangione’s existential anxiety about the world around him, one where “the pace is quickening whether we like it or not, moving rapidly to the edge”; a world where the general belief seems to be that AI is going to ultimately either take control, or eliminate humanity, or both.
Missing Pieces
Notably missing from the book are interviews with the principal actors. Richardson made requests, but did not anticipate access to Mangione himself. And his relatives stated explicitly that they had chosen not to talk to the press in advance of the trial. Another flashing-yellow omission is any detailed data about the deceased, Thompson, though we learn that under his leadership, from 2021 to 2023, UHC profits rose significantly.
Ambiguous Findings
By the conclusion, the audience has no clear understanding of Mangione’s personality or what could have driven his accused actions. More troubling, Richardson’s obvious sympathy for him gives the reader the uncomfortable impression of having been privy to a subtle approval of an assassination. In the book’s closing remarks, Richardson presents his fairytale assessment: “We’ve entered a time of fables, the mad king, the beast in the labyrinth and the emperor without clothes.” In that tale “Robin Hoods come with a beautiful promise … They arrive in times of social turmoil, when the population is in pain and everything is confusing anymore.”
One thing is clear: as Mangione’s legal representatives continues in its attempts have charges that could lead to the death penalty thrown out, any reference of fables, Robin Hoods, champions or monsters will not be admissible as evidence in support for this attractive individual with a “features reminiscent of classical art” soon to be on trial for murder.